Eyeteeth has an interview with Sida Vaidhyanathan, an assistant professor of Culture and Communications who wrote The Anarchist in the Library and Copyright and Copywrongs:

This sort of creative circle--the drum circle or the blues-singing circle--is simply the most vivid image we have of these sort of creative communities. These creative communities are all over the place. Anyplace artists gather, any place musicians just jam for the fun of it… I think that this is a powerful form and a powerful habit. It's also an important part of being human. It's the essence of being cultural.

We're not missing those communities; we're just not investing in them and celebrating them like we should. Because the form of cultural production that this country and therefore the world has decided to celebrate, protect and promote is the industrial form. It's the form that says: it's gonna start with a piece of paper by a scriptwriter, it's going to go through a series of meetings, it's going to be produced step by step with the contribution of hundreds or thousands of people with hundreds of thousands to millions of dollars and then be distributed to millions of people, perhaps billions of people, in a form that the institution that produced it dictates.

The form of cultural production that this country and therefore the world has decided to celebrate, protect and promote is the industrial form.
Now, all of that in some ways makes our life better. These mass-produced movies are things that human beings value, share, talk about. They become parts of our cultural commerce. They become parts of our cultural life. We quote Star Wars all the time in daily life. We quote Casablanca. And I don't think we want to imagine a world in which there's no incentive to produce Star Wars or Casablanca--although we might imagine a world without Jar-Jar Binks--and we might imagine a world in which someone could write a sequel to Casablanca and not be laughed at (although perhaps that's hard to imagine). Nonetheless, it's this notion of working from the common cultural phenomena that we share to build new and special things. That's what we have to focus on. That's why we need a low barrier of entry to creative processes. That's why we need free and cheap access to cultural materials. Free and cheap access can come a number of ways: through electronic networks, through networks of friends sharing material, through public libraries, through universities, through schools, through churches. These are all institutions built for sharing. One of the things I'm concerned about is this ideology of the industrial production and dissemination of cultural products is infecting some of those institutions as well.

...via BoingBoing